Martin Wong: Human Instamatic

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Martin Wong: Human Instamatic


25 × 25 cm | 10 × 10 in
144 ills | 160 pages

Contributors: Antonio Sergio Bessa, John Yau, Benjamin Binstock, Dan Cameron, Julie Ault, Yasmin Ramirez, Sam Ashman

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Martin Wong: Human Instamatic offers a comprehensive overview of Martin Wong's career through a number of scholarly essays, archival material and an interview with Wong made accessible to the public for the first time. 

Martin Wong: Human Instamatic explores the work of Chinese-American artist Martin Wong (1946–1999), tracing his transition from painting haunting self-portraits as an introspective youth in San Francisco to his subsequent engagements with communities in the Bay Area and later New York City. In the late 1960s and 1970s, Wong became an active participant in the thriving countercultural movement in California, where he collaborated with the radical queer performance groups Cockettes and Angels of Light. In 1978, Wong moved to New York, where he played a pivotal role in the arts scene throughout the 1980s and 1990s. Wong's work of that period captures the vibrancy of the Lower East Side, a resilient, multiethnic, bohemian community grappling with an advanced process of gentrification. Diagnosed with HIV in 1994, Wong returned to San Francisco, where he lived under the care of his parents until his death in 1999.  

Martin Wong: Human Instamatic is published in partnership with the Bronx Museum of the Arts.